arianna CONTROLUCE Teatro d'Ombre / Il gecko con botas

IL LABIRINTO (The Labyrinth)
performance for 25 people maximum each time (30 minutes)

music José Maria Sanchez Verdù, Iannis Xenakis,
Claudio Monteverdi

stage setting Jenaro Meléndrez Chas
dramaturgy suggestions  Guia Risari
collaboration and direction assistanca Elena Campanella
technique Sara Brigatti

with Clementina Kura-kura, Damián Bojorque, Pierre Jacquemin, Samuel Maverik Zucchiati
Production: INCANTI Rassegna Internazionale di Teatro di Figura
PIP - Production Incanti Project 2018
, guided by CONTROLUCE Teatro d'Ombre:
Cora De Maria, Alberto Jona, Jenaro Mélendrez Chas

Presentation    Technical sheet    Photos    Video    Reportage    Press cuts

pierrotarona

PIERROT LUNAIRE
2008-2018

Music Arnold Schoenberg
Text Otto Erich Hartleben from the original poems by Albert Giraud

concept and staging
Controluce Teatro d'Ombre
staging colaboration Rosa Mogliasso
Original silhouettes Cora De Maria

With Cora De Maria, Alberto Jona
Jenaro Meléndrez Chas, Marco Intraia


Project
Trio Debussy-Controluce Teatro d'Ombre (2008)
Alessandro Maria Carnelli-Controluce Teatro d'Ombre (2018)

    
                                    live music performance

Premiere, 31st may 2008, at Pinerolo, Festival Tra Futuro e Passato, with Trio Debussy
Debut new version, 10th March 2018, at Arona, Festival Primavera in Musica with Ensemble "Progetto Pierrot" directed by Alessandro Maria Carnelli

presentation  |  technical sheet   text  |  press cuts  |  videoclip  |  video  | reportage  |  photos

butterfly1


BUTTERFLY BLUES

project, dramaturgy, staging and direction
Controluce Teatro d’Ombre
Cora De Maria, Alberto Jona,
Jenaro Meléndrez Chas

music Giacomo Puccini
musical arrangements Andrea Chenna
text Rosa Mogliasso
choreografy Antonella Usai and Marco Intraia
light Design Simona Gallo Costumes Sita and Rosa Singh Original silhouettes Cora De Maria
off voice Eliana Cantone

Paralyzed by the needles like a butterfly on a showcase, Giacomo Puccini lies on his final bed in Bruxelles. A blazing, cherry blossom voice looms over the mysterious shadows that are disturbing his sleepless nights. That’s the starting of Controluce’s new show that makes little Butterfly the hugest heroine in the opera repertoire...

presentation  |  technical sheet audio tracks  |  press cuts  |  notes  |  videoclip/reportage  |  video  |  photos 

villes30E11Les Villes invisibles (Invisible cities)
From "Le Città invisibili" di Italo Calvino

Concept Controluce Teatro d’Ombre,
Francesco Biamonte, Antonio Albanese
Staging Controluce Teatro d'Ombre

Original silhouettes Cora Demaria
Light design Simona Gallo
Costumes Sita Sing

Direction Alberto Jona


Music by Britten, Modugno/Pasolini, Reich, Oswald von Wolkenstein, Paganini and others

On stage:  Lisa Tatin e Francesco Biamonte, acting and singing,
Antonio Albanese guitars, Jenaro Meléndrez Chas shadows

Production Papageno.Corp, L’Echandole Yverdon, L’Oriental Vevey, Casino Théâtre de Rolle

In the light of a candle, Marco Polo tells the Tartar Emperor the wonderful cities he has seen. They are impossible towns, metaphysical constructions. The stories become philosophical and enigmatic images. Each town is surprising and asks us what we are. An immaterial theater arises from mobile screens and shadows that illustrate the cities. It is the privilege of shadows to make cities "visible" for a moment without revealing them. The Court Musician dress with music the stories narrated by Marco, who sings songs from yesterday and today, in many languages. It is a journey through space and time, in the universality of singing accompanied by guitar. The Emperor does not appear. He is the one to whom the story is dedicated. He could be among the audience. He could be the public...

presentation | didactic sheet | technical sheet | audio tracks | press cuts | notes | video | photos | reportage

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