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quixote piccola Accademia dei Folli &
Controluce Teatro d'Ombre

Don Chisciotte & Donna Aldonza
by Tiziano Scarpa

with
Enrico Dusio Teresa
Gianluca Gambino Don Chisciotte
Giovanna Rossi Aldonza/Dulcinea
Valter Schiavone Sancio

Corallina De Maria shadows puppeteer


shadows imagery curated by Controluce: Corallina De Maria, Alberto Jona, Jenaro Meléndrez Chas
musics Carlo Roncaglia - costumes Silvia Lumes - lights Mattia Monti

stage direction Carlo Michele Roncaglia

PRESENTATION    TECNICAL SHEET    PHOTO    PRESS CUTS    TEASER

krieskabaret8

Kriegskabarett
Study for a cabaret in wartimes

original silhouettes:
Cora De Maria
scenografic imaginary:
Jenaro Meléndrez Chas
dramaturgy:
Rosa Mogliasso
lights:
Mattia Monti
musical and stage direction:
Alberto Jona

on stage
Nicola Morucci, Fulvio Maiorani, Irene Paloma Jona, Cora De Maria, Jenaro Meléndrez Chas

When we were young we were fascinated by Karl Valentin's lanky figure, his humour, lyrics and films. Today, driven also by disturbing signals in the present we are living, we want to remember that surreal clown who told about the madness of a world on the verge of the abyss in last century's 30s in Germany. The idea is to try to recreate the atmosphere of the German cabaret of those years through a “work in progress”, a “study” for a show that walks between past and present in a funambolic way and that, through the physical presence of the actors, the magic of the shadow and live music, wanders among the spirits of the time.

Premiere in Turin on 7th cttober 2022, inside the program of INCANTI festival

PRESENTATION    TECNICAL SHEET    PHOTOS    PRESS CUTS    TEASER

barbablu

 

The Castel of Bluebeard


Project and original silhouettes
Cora De Maria
Music
Bela Bartok
Dramaturgy
Alberto Jona
Voices
Irene Paloma Jona e Nicola Morucci
Audio direction
Nicola Morucci

 

A first episode of the project Shadows at the Opera created for Novara's Teatro Coccia Foundation, The Castel of Bluebeard is a journey into both the fairy tale by Perrault and the the composition by Bartok.

It is a micro show 15 minutes long including shadows, music and voices that introduces even the youngest audience to the world of melodrama within the frame of a nineteenth-century theater with a bergmanian flavor, in which the dark and mysterious fairy tale of Prince Bluebeard emerges.

 

PRESENTATION    TECHNICAL SHEET    PHOTOS    PRESS CUTS    TEASER

Studio per Le venti giornate di Torino Controluce Teatro dOmbreTHE TWENTY DAYS OF TURIN

dedicated to Guido Ceronetti

concept, direction and original silhouettes
Cora De Maria
scenographic elements
Alice Delorenzi
original mumusic
Umberto Fantini
production
CONTROLUCE Teatro d'Ombre

duration around 50'

with Cora De Maria

The show is inspired by the work of Giorgio De Maria. A dystopian and prophetic tale, full of ideas still current and deeply disturbing, which finds in the shadows a perfect visual accompaniment. A small stage box and a single operator who tells the story while accompanying the unfolding of the plot with shadow theater images and some music.

PRESENTATION   TECHNICAL SHEET
   PHOTOS   PRESS CUTS TEASER

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